July 30th, 2016

I'd like to share a cool weather charm I learned to make while in Japan. I used it today, and it worked... well, like a charm!

These little guys are called Teru Teru Bōzu (照る照る坊主), "teru" meaning "shine", and "bōzu" meaning "monk". The ones in the picture above are fairly elaborate, decorative varieties, but the ones I learned to make were quite simple.

You need:

• Two (2) sheets of paper
• I used regular printer paper, but cloth or tissue paper is probably more traditional
• String or a rubber band
• Marker(s)
• Other decorations as desired

Begin by taking one sheet of paper and wadding it into a firm ball. Take the second sheet and pull it tightly over the ball to make a sort of ghost shape, with the ball-containing end becoming the head. Tie a string or rubber band around the charm to hold the ball inside the second sheet of paper. (Ever make ghost lollipops for Halloween/Samhain? It's the same principle.) Then draw on a face or otherwise decorate.

These "shining monks" are weather charms which became popular in the Edo period and are still used today. I was taught to make them by some high school students in a Japanese farm town. The Teru Teru Bōzu are hung up outside under the eaves to keep away rain before big outdoor events like school picnics and etcetera. They can also be hung upside-down to invite rain during a dry spell.

We were supposed to have big thunderstorms all day today, but it was my town's annual summer parade and carnival, and I really didn't want the festivities getting rained out. I set out my Teru Teru Bōzu (pictured below), and while we had some pretty dark clouds go by for a while, we never got rained on, and actually had some sun and blue sky by afternoon!

Apparently, there is a traditional nursery rhyme (warabe uta) which can be sung along with their use. I'll add the translation under the YouTube link.

Lyric Translation:

Teru-teru-bozu, teru bozu
Make tomorrow a sunny day
Like the sky in a dream sometime
If it’s sunny I’ll give you a golden bell.

Teru-teru-bozu, teru bozu
Make tomorrow a sunny day
If you make my wish come true
We’ll drink lots of sweet sake.

Teru-teru-bozu, teru bozu
Do make tomorrow a sunny day
but if it’s cloudy and I find you crying
Then I shall snip your head off.

February 27th, 2016

It was a beautiful day today. I spent the morning volunteering with Habitat for Humanity, and it quickly warmed up from 35⁰ to a lovely 60⁰. I'm feeling a really strong push to start delving more deeply into Shinto mythology, as I want to more closely approach Amaterasu Ōmikami, but I also don't know where to start. I may see if I can find any good websites to get a jumping-off point for more reading.

January 18th, 2016

I'm back at school for the spring semester, and I decided that since we had today off, I would try reading some books I had yet to get to. I started working my way through Celtic Lore, but it was pretty dense, so I switched over to Zen. It was quite a bit shorter than the other one, but also a lot more informative than I had supposed.

Zen was something I picked up from the Goodwill here in town last fall. I have forayed a little bit into Buddhism, and actually had the opportunity one afternoon to learn some Zen meditation techniques from a monk while I was in Japan. As such, I was interested in learning more about it, and actually found this to be a reasonably comprehensive introduction. 

Title: Zen: An ancient path to enlightenment for modern lives

Author: Peter Oldmeadow

Copyright 2001

Peter Oldmeadow is a Sanskrit lecturer at the University of Sydney, and when this book was published, had over thirty years' experience in Buddhist theory and practice. I found his writing style to be very approachable, and the book clarified what I felt to be several of the more challenging concepts.

The book starts with the history of Buddhism in India, as well as the Buddhist understanding of suffering and how it relates to the Eight-Fold Path. It then segues into the development of different schools of Buddhism, and describes how Zen came about in East Asia. Oldmeadow traces Zen through China, Korea, Vietnam, and Japan, as well as how Zen influenced practices such as calligraphy and the tea ceremony. 

Oldmeadow then discusses some of the primary meditation styles in Zen Buddhism, and how the practice was spread to the Western hemisphere.

When I picked this up, I had been expecting that this would be more of a "how to" kind of a book. What I found is that it's more of a summary of the history of Buddhism, and how and why the Zen tradition developed. While it was not exactly what I was anticipating, it was a very interesting read, and in spite of its length (73 pages), I felt like I learned a lot from it. That being said, it does strike me as being more of an introductory work. If you are already very versed in the history of the spread of Buddhism, this may not tell you much you don't already know. 

In short, if you would like to learn about the basics of Buddhist metaphysics and how Zen Buddhism developed, I would recommend checking out this book. If you're hoping for something more advanced, or strictly covering how to practice any given branch of Buddhism, this may not be quite what you're looking for.

Stare deep into the world before you as if it were

the void: innumerable holy ghosts, bhuddies,

and savior gods there hide, smiling. All the

atoms emitting light inside wavehood, there is

no personal separation of any of it. A Hummingbird

can come into a house and a hawk will not: so rest

and be assured. While looking for the light, you may suddenly be devoured by the darkness

and find the true light.

- Jack Kerouac, 1959

Shopping Haul

I did some shopping today! 

In order to celebrate my new job, and also just to relax a bit, I went out and bought some things at Earthbound that I've really been wanting.

First off, they had this amazing candelabra which I've been eyeing since last fall, and I finally just had to have it. It's completely my style, and just very bright and cheerful, so I'm glad to have it, even if it was pricey.

I got this cool candle at a discount, and it's actually a bit brighter purple than it appears in this photo, but it's a four-sided pyramid carved with an eye, and I think it'll lend a really interesting energy to any psychic work I delve into.

I got one of the best deals on these. They're 100% pure essential oil diffuser bottles, originally priced at $16, but they were on clearance for $4 a piece, and I got the second one at an additional 50% off, so I only paid $6 for the pair. The brand is rareESSENCE; on the left is the peace scent (frankincense, myrrh, palo santo), and on the right is the clarity (eucalyptus, sage). 

I also walked over to Goodwill and picked up a few things. This is Zen: An Ancient Path to Enlightenment for Modern Times, by Peter Oldmeadow. It looked interesting, and it was only $1.

This book, also, was $1. It is Medicine Woman, by Lynn V. Andrews, and is an autobiography. Again, it sounded interesting.

And then last, but by no means least, I picked up a frame for a very cool piece. This poem was written by Travis, of the Pagan Scholar YouTube channel. I won it in his giveaway, and wanted to be able to display it appropriately. It's a piece of blackout poetry, and basically turns an old Bible page into a unique, Pagan-ish poem!

September 26th, 2015

It was a little surreal to just sit and relax this afternoon after being in a constant state of motion all week, but I did make myself take some time to recharge. I ended up doing a page in a Japanese brocade-pattern coloring book that my mom sent me in the mail.

Complex patterns like this, as well as mandalas and similar, are great tools for active meditation; that is, if you find it difficult (as I sometimes do) to calm your mind just sitting still, then coloring is a good way to center and focus while still doing something.

Now, I wasn't doing this as a meditation today. Instead, I sat watching some YouTube videos by other Pagans and just generally trying to expand my knowledge base. Still, in the future, I may very well use it as a meditative technique. I may also cut up a page or two and paste smaller drawings into what I've decided to call my Scrapbook of Shadows, especially if I need decorations for pages on Shinto deities, practices, etc.

September 8th, 2015

It's been kind of a long day here, but my roommate offered me tea and I've been researching Japanese incense, so I've finally relaxed a bit. I found this site, Shoyeido, through HolisticAlchemy on YouTube, and I have to say, they have some gorgeous incense and incense holders. Also, Japanese incense is pure all the way through; that is, it's not a dipped wooden stick. Because of this, they produce a lot of fragrance with very little smoke. This particular brand ships out of Kyoto, and has been a producer of high-quality Japanese incense for 300 years. I would definitely be happy to order from them in the future!

In other news, I was walking to dinner after work tonight, and I found a big piece of pampas grass lying on the sidewalk. It was exactly the sort of thing which would work with my Mabon altar, so I picked it up. The whole stalk was a bit big to carry into the dining hall, but a piece of the top came off in my hand, so gratefully I took that with me. It's sitting on my altar now, and I'll have to take a picture later, but it was just a really pretty natural offering, and I was glad to stumble upon it. 

A Package and Some News

Well. I said I had news, and I think it should be okay to share it now. I will attempt to condense a long story to its main points. For a long time, I have felt extremely drawn to the Shinto Kami, and just earlier this week decided that I finally felt ready to begin a relationship with Them. I have felt an incredible sense of peace in the wake of this decision, but I also know I have a lot to learn. I really want to be able to purchase pieces for a Kamidana like the one I blogged about on Tuesday; however, those pieces are expensive. This brings me to my second piece of news.

I got a job!!! I actually scored another library position down here at school, and I couldn't be more excited. I had my first shift tonight, and it was great. I can't wait to be making some more money so I can save up for things.

And finally, I got a really neat package in the mail today from my mom. There were a lot of great things in it, but check out these two handbags.

For some reason, my laptop takes great quality videos but really bad pictures. Still haven't figured that one out. Anyway, mom found both of those at a rummage sale. The red one has a dragon and chrysanthemum pattern on it, while the blue has a lot of kanji calligraphy. They're beautiful bags, and they might be antiques, I'm not sure. I am taking it as a sign, though, that I'm on the right track. It was really the confidence boost I needed to open a package and immediately be reminded of Japanese mythology.

September 1st, 2015

It's been an interesting day, and I have some news, but I'm probably going to wait to share that on here until I've got all the details hashed out. I did think that I would share a picture with you all, though.

This is where I ended up putting my dragon statue I bought Saturday, on a shelf over my desk. I've attached some warding to the statue, and put an offering of water in the glass dish. He wanted some crystals set around him, so I put a Black Onyx and two Tektites on the shelf as well.

On either side of the statue, I have two Japanese amulets for academic success; to the left is my green Maneki Neko, and to the right is a little mini shrine-shaped amulet I bought at Meiji Jinja in Tokyo.

I also have two little shells sitting there, although they're hard to see in the photo. One shell is holding water, and the other is holding salt. I don't have a Kamidana at this point in time, although I would like to acquire one. In the meantime, I am using the shells to hold offerings to the Kami.

August 31st, 2015

I've been doing some more research into Japanese Shintoism, and was specifically looking at information on the Kamidana, or "God shelf". These are small personal shrines for one's home or place of business which are made by traditional craftspeople and blessed by the Shinto priests. A lot more goes into one than I was aware, so I thought I would share the information I found as a bit of an intro.

All Kamidana look a little different, but here is one style for reference.

In the back is the Kamidana itself, designed in the style of a Shinto shrine but in miniature. Depending on the model, the doors usually open and the whole front may be removable. This is necessary so that the Ofuda can be placed inside. The Ofuda is a blessed and consecrated piece of calligraphy which is what enshrines the deity, or (O)Kami-san, in the Kamidana. The Ofuda must be replaced every year to keep the blessing fresh and current.

Another thing to note is that the Kamidana should be placed on the north or west wall so that the doors face south or east. Additionally, it should be set above eye level (generally 6' or higher off the floor), and one should avoid walking under it. If the building has other floors above where the Kamidana is placed, one should put a paper with the Japanese word "Kumo" (雲), meaning "cloud", above it to ritually designate that as sky. This keeps people on the upper floors from walking through Kami-sama's space.

Directly in front of the Kamidana doors is the shinkyo, a special stand set with a kagami, or sacred mirror. The mirror is considered one of the sacred treasures of Japan, as seen in the story of the sun goddess Amaterasu and the cave.

Set around the Kamidana in the image above is a shinki set. Often, the set is seen on an ozen stand in front of the mirror. The shinki set includes porcelain dishes to hold rice and salt, a lidded bowl to hold water, and two taller vases to hold sake (rice wine) or mirin (rice wine vinegar). Any and all of these are given as offerings, although the latter two are often reserved for festivals or other special occasions.

A shinki set may also come with two more vases to hold sakaki tree leaves. The leaves can be procured fresh, although practitioners frequently use artificial leaves, as the fresh variety can be hard to find on a regular basis.

And finally, a shimenawa, or rope made of rice straw, is hung over the Kamidana to mark it as a sacred place. The white origami shide hanging from it represent lightning, and therefore also the power of nature.

There are other accessories, amulets, and etc. one can purchase when practicing Shinto, like the omamori I brought back from Japan last summer, but to my present understanding, these are the basics of setting up the God shelf Kamidana.

August 3rd, 2015

It's probably a good thing I took today off work. I was so exhausted from walking around all weekend that I could barely sit up this morning. A shower seemed to take the edge off, though, so that was good. And after taking today for just me, I feel almost completely re-energized.

This morning, I worked more on a weighted blanket project while watching CharmingPixieFlora's YouTube videos. I would recommend them to anyone, but especially to those practicing Wicca or eclectic Paganism. Some of her videos contain more 101-type information, and others delve into greater detail, but even as someone who now considers herself to be pretty experienced in the Craft, I still find it helpful to refresh myself on basic information every now and then, or to listen to a different viewpoint. Besides, she's so bubbly that you can't help but feel happier listening to her talk.

After I got to a solid stopping point, I moved on to researching the crystals I bought this weekend. Expect posts on their properties over the course of the next week or so.

I also finally took some time to reorganize my closet. I consolidated boxes and got everything straightened out, which had the ultimate effect of freeing up a lot of stagnant energy and giving me an extra crate to contain my books when I return to school so that I don't have to disturb the one currently holding up my shrine.

While I was at it, I went ahead and sorted through the things I bought at Fairy Fest.

From left to right, I purchased a piece of Kyanite, a piece of Amethyst Spirit Quartz, a tiny chest with a brass pentacle on top, a little turtle dragon, a Ruby, and a drawstring bag embroidered with the image of Athena and an owl. I also got two little pouches for the Kyanite and the Ruby.

The straw mat the things are sitting on top of is actually a miniature tatami mat that I made in a class while in Japan last summer. I've been trying to figure out what to do with it for ages, and it finally just occurred to me - I can take it with me to school and use it as a tiny altar! I feel like that will be much energetically neater than setting things on the old dressers or desks that the university provides. 

The turtle dragon's name is Frederick. I adopted him from the Dragon Lady at Fest (see more of her work here), and when I told a little girl he didn't have a name yet, she suggested Freddie. He seemed to really like that idea, so I ran with it.

I got the Athena bag not only because it is lovely but also because I think I'd like to start working with her, and it seemed like it could make for a great introductory offering.

I also got this wonderful headdress that my bunny is modelling for me. I love the little horns on it! 

Garage Sales

I hadn't really wanted to spend any cash today, but my mom saw a garage sale on the way back from looking at new stove hoods, and apparently my youngest brother had a great desire to acquire material objects, so I went with. Naturally, I ended up spending several dollars more than I would have liked, but I think ultimately it was worth it. I got a really cute set of Japanese sake (酒 - rice wine) cups with a matching pitcher patterned with goldfish (I don't drink, so I'll probably end up using them for tea or something), and two glass jars.

I'd just been thinking the other day that it would be good to have some more jars to store herbs and the like, and now I have some. 

April 7th, 2015

My afternoon class got cancelled, so I decided to use the time to get caught up on a few things. One of those things includes finally getting around to researching the properties of Chrysanthemum Stone. I received my piece of it as a gift from my grandma several years ago, and neither of us knew what it was. Then I got Judy Hall's The Crystal Bible, and came across an entry about it. Now, an eternity later, I finally got my information on it consolidated.

Chrysanthemum Stone

Physical Characteristics: These stones are most commonly black with white inclusions, although the matrix surrounding the "chrysanthemum" may also be dark brown or red.

In Nature: Sources on both the composition and formation of Chrysanthemum Stones differ in explanation. The matrix can appear as a mineral called Xenotime, limestone, or clay, while the interior may be Zircon, Celestite, Calcite, Andalusite, or etcetera.

Chemical Composition: Various

Mohs Scale Hardness: 3 - 4.5 (low)

Can be Found: Japan, China, Canada, USA

Healing Properties*: In matters of health, use Chrysanthemum Stone to ease problems with the skeletal system, nails, and eyesight. It can also help to dispel abnormal growths. Those who struggle with depression or anxiety may find that this crystal eases some of the symptoms. 

Magickal Properties: The name comes from the Japanese 菊石, or "kiku-ishi", which literally translates as "Chrysanthemum Stone". The crystal's black and white nature lend it associations with harmony and balance. It brings joy and enthusiasm to one's life, and makes a great gift for one starting out on a new path. Heightening one's energy vibration, these stones can cause more meaningful synchronicities to occur around their bearer. As such, they can bring prosperity and general good fortune. They may also be used in the same vein to encourage manifestation. It has been said that the floral nature of the crystal inclusions can help those struggling with self-esteem issues to open up and "bloom". Use this stone for reflective meditation when one needs to open pathways to happiness and contentment. This can also have a grounding effect.  

Chakra Association: Seventh (Crown) chakra

Element: Water

Energy: Projective

Planetary Association: Neptune

*Magickal healing should never take the place of seeing a doctor and following any recommended prescriptions, actions, or other advice. Magick works best in tandem with physical efforts, anyway, so don't skimp on those check-ups!

January 7th, 2014

Hazelnut gave me a copy of this book as a Yule gift, and I thought I might review it here for anyone interested in learning more about the fairy peoples. You may recognize the format if you've seen other books by the same publisher, such as The Crystal Bible.

Title: The Fairy Bible
Author: Teresa Moorey
Date of Publication: July 1, 2008

I was impressed in general by the text's content; many similar books that I've read in the past just invent names of fairy species that aren't backed by any sort of history or lore. Granted, many of the texts I've read are intended for younger audiences, but even so. All entries in this book introduce the original mythology for the spirits, and some also give examples of how they have been reimagined in pop culture.

The book's categories are as follows: Water, Air, Fire, Earth, House, Flower, Tree, and Weather. Each category then has the related spirits, as well as information at the end of each section on meditations that can be done to contact these fairies. Most of them also have suggestions for the
 kinds of altars that could be established to attract the type of spirit in question, as well as to make your living space a more welcoming environment for them.

Most of The Fairy Bible's entries come from the folklore of Western Europe,

particularly the British Isles, and I was left feeling like the inhabitants of other cultures were rather under-represented. That being said, the book does incorporate entries for djinn, domovoiye, a few Native American entities, and a Japanese water spirit, so it did make some level of effort.

Still, some of what the author considered suitable content was questionable to me. For example, the book contained sections on several deities, including Pan, Brighid, Hermes, and others. While I certainly don't object to learning more about these Powers in general, it seems to me that it might offend said god/desses to be included in a book regarding Fey. This is not to say that Fey are lesser Powers - many of them certainly possess astounding capabilities - but it seems odd to me that deities which are never portrayed as fairies in their myths are then included in the book.

Not only that, but famous fairy entities that one would expect to see in a book like this - for instance, the illustrious Queen Mab - were hardly mentioned at all.

All in all, I thought it was a reasonably informative book, and most of its meditations and other exercises were well-composed, but buyers should be aware that some of the content is a little watered down, and parts of it come across as more of a "how-to-Pagan" than a strictly-informative guide to the fairy realms. Ultimately, know what you're buying. There definitely is quality information in it, but in places it takes a bit of digging.

I would call it, "fairies for beginners", and not, "the definitive guide" as the cover suggests.

September 28th, 2014

I love pottery! Yesterday, I had the opportunity to go over to a craft fair which was also selling raku pots that you could glaze and fire yourself. After picking up some organic soap, I got a little mini pot which I thought looked like a Japanese tea ceremony cup. I glazed it purple on the outside and green on the inside, and then sat and made friends with a really nice family there visiting their daughter. We got coffee together, and then I headed back to the courtyard where they were doing the firing.

This is my pot after I glazed it, but before it got fired.

This is the kiln. The pottery gets heated to 1800⁰ F.

After about an hour, the pottery is removed from the kiln while it's still red-hot.

The ceramic pieces get put inside garbage cans full of wood shavings. The lids are clamped on, and the heat of the ceramic sets the shavings on fire, generating a ton of smoke. The smoke finishes the chemical reactions in the glaze, giving the pieces their signature blend of colors, crackle, and iridescence.

My finished pot. These are not food safe, but can be used to hold water.

One woman, a craft shop regular, had numerous pieces she had made that she was glazing. This one came out rather black on the other side, and she wasn't happy with it, so she gave it to me because I thought it was gorgeous. Just look at the butterflies! So pretty.

I've added my bowl/cup/pot(?) to my altar, and to be honest, I'm super happy with how it looks. I hadn't been sure when I moved into my dorm if I'd be able to have anything really like a permanent altar since I didn't know what my roommate's attitude would be, but I think she's just accepted that I like shiny things and hasn't even questioned why half of my dresser is covered in crystals and has a chalice and a picture of pretty fairies.

It's so cute! Not sure yet how much seasonal decoration I'll be doing. I had to leave most of my usual things at home, so it'll require some ingenuity, certainly, but at least for Samhain, I'm sure there's plenty of places to get gourds or pumpkins around here.

My other vase I set on top of my microwave with my mask, because I'm a designer in training. Even microwaves need to look attractive, and if they have something vaguely theatrical or occult about them, well, so much the better.

If you've never done raku and you get the chance, I really recommend it. It's an ancient Japanese art form that combines all the elements in a manner which is really primal in its nature. The earthy clay, airy smoke, blazing fire, and water to cleanse the finished product are all united by human creative spirit. It's truly a serene art form, and the results are as unpredictable as the elements which go into its creation.

Museum Reception

Last night, the campus museum hosted a reception to celebrate the opening of its new exhibits. I think I was the only freshman who went, but there were a lot of faculty and older students in attendance. I bring it up because as I was walking through the exhibits, I noticed this Japanese tsuba, a decorative hand guard for a samurai's katana.

It caught my attention, because its eyes, which were covered with a brighter metal (gold leaf, maybe?), shone in its display. Upon taking a closer look at it, I immediately recognized Raijin, and felt a rush of validation when I looked at the information card and saw that it was, indeed, Raijin being depicted.

Raijin is the Japanese thunder god ("rai" being thunder and "jin" an alteration of "shin", which in turn is the same "shin" in "Shinto", and means "god"). He is often shown with (or competing against) Fuujin, the wind god. According to Shinto mythology, after Izanami and Izanagi created Japan, the Buddha entrusted eight Raijin to protect the Dharma (assigned a variety of meanings, but primarily referring to natural law). This sort of syncretism between Shintoism and Buddhism was and is very common among the Japanese. When there is a storm, Raijin beats his drums (note the drumsticks he holds in the tsuba) and produces thunder. His drums are usually topped with a mitsudomoe symbol, a variant of the tomoe and a trinity figure thought to represent Man, Earth, and Sky. The mitsudomoe is also visible in the tsuba as the circles above and below the central slit for the blade - the top retains its bright metallic covering, making the three-pronged symbol easy to see. Those who are familiar with Japanese mythology might look at Raijin's iconography and assume him to be a demon, or oni. Some versions of the myth do indeed suggest that Raijin is a reformed oni, thus explaining the resemblance. One legend says that Raijin likes to eat children's bellybuttons, and so some parents may warn their children to keep their navels covered during thunderstorms. Another story, found in Judika Illes' Encyclopedia of Spirits, states that Raijin saved Japan from the 1274 Mongolian invasion by firing thunderbolts at the Mongol ships.

Raijin is never found without his loyal companion (and perhaps pet), Raijuu, the thunder beast. This spirit, often taking the form of a white or blue wolf or fox, is the source of electricity and lightning, and has the dubious honor of being the inspiration for the Pokémon, Raichu. Another explanation of the bellybutton story is that Raijuu likes to fall asleep in people's navels, and Raijin must strike him with lightning to wake him up, thus harming the sleeper. Those who believe this version of the story may sleep on their stomachs in bad weather, whereas others say that Raijuu only sleeps in the bellybuttons of people sleeping outside.
Modern practitioners wishing to honor Raijin could call upon him for protection during storms or a power outage. While I imagine there are specific rites one may do to honor the thunder god, a small monetary offering is standard fare among the Japanese kami. Unless you live in Japan, it is unlikely that you live near any sort of shrine to Raijin. If this is the case, money could be donated via the internet to help provide relief for storm victims or to help maintain Japanese shrines which honor the thunder god and associated deities.

September 7th, 2014

Moving to college is a little more hectic than one might immediately assume it would be. I've just wrapped up a big architecture project, and am trying to give myself the day just to relax as a result. It occurred to me that this was a perfect opportunity to fill my readers in!

(Actually, I wanted to post yesterday, because my girlfriend informed me it was National Hummingbird Day, but got distracted by the aforementioned project.)

What with tomorrow being Esbat, I've been working to get things in order for a nice first ritual here at school. There's a really nice wooded patch just outside my residence hall, and I think I can go out there and perhaps borrow a tree stump to set up my travel altar on. It's also supposed to be a Supermoon tomorrow, so the view should be good!

I've been rather cautious about setting up anything too overtly Pagan in my room (no need to freak out my roommate), but I do have sort of a casual altar established on my dresser, next to the microwave. Is it lacking a certain mystic quality? Probably. But it's functional.

I have an electric tea light in a paper lantern (candles and incense are both prohibited), a My Neighbor Totoro washcloth serving as an altar cloth (I bought it in Japan, and let's be honest - that's a beautiful movie), a card with a fairy print on it, some silk flowers, and my chalice. All the rest of my goodies are carefully packed in a desk drawer where I can grab them when I need them. Did I bring my entire crystal collection? You better believe it. 

I've developed a bit of a headache, so I may do a crystal layout and try some meditation this afternoon. There's free canoe rentals over at the boat docks as well, if I can successfully get myself out the door.

July 16th, 2014

I decided I'd round out my Japan posts with photos of all the lucky charms (omamori) I bought from different shrines and temples. For the sake of scale, all of these are between one and three inches long.

From Itsukushima:

A general "good fortune" talisman, embroidered with the island deer.

A talisman for good luck in academics, taking exams, etc.

From Kinkakuji:

A "traffic safety" amulet, which I'm assuming extends likewise to safety during travel.

From Kiyomizudera:

A squishy little talisman portraying the god of business success.

A dragon talisman for good fortune.

From Jishu:

A talisman for improving "the luck in love of one's zodiac sign". I'm a Pisces.

From Meiji:

I was so worried that I'd lost this one because I couldn't find it the other day, but when I got my keychain holding all of these out to take pictures, there it was! This amulet promotes oneness of the mind and body.

The writing on this carved wood reads "kodama", which is the Japanese word for "tree spirit" (similar to the European dryad). These spirits of the forest are generally benign, unless their tree is attacked, in which case they may curse the person who cut it. According to the Meiji shrine website, these wooden bells are made from the wood of sacred trees which have finished guarding the shrine precinct and allow for the oneness of human spirit and nature.

And then there's this: my little desktop shrine for academic excellence.

All of these are definitely coming to college with me.

Meiji Shrine

Of all the historical sites we visited in Japan, the Meiji Shrine was by far the newest, having been founded in 1912 to honor the Meiji Emperor's role in the Meiji Restoration. Construction began in 1915, and was completed in 1921. The original building was destroyed in WWII, but has since been rebuilt.

All of these are empty sake (rice wine) barrels donated to the shrine annually as an offering. The writing gives the brand name; many companies have been donating barrels every year since the establishment of the shrine.

The Torii gate is enormous. The three gold medallions are the Imperial Seal - sixteen petalled chrysanthemums, a repeating motif throughout the shrine grounds. 

This is the interior of the shrine.

These boards, called "ema", are available for purchase by patrons for the equivalent of $5 (500 yen); one writes a personal prayer or petition on it, and the following morning the shrine priests bless them and hang them on the displays around the tree. That rope around the trunk? It's a special Shinto decoration demarcating sacred space.

I was not exactly clear on whether the bonsai tree display was a year-round thing or if it was a temporary exhibit, but while I was there, the shrine was exhibiting lots of donated bonsais. This particular specimen was 300 years old.
Not exactly pictured is the forest surrounding the shrine, with hundreds of thousands of trees, all of which were donated and planted when the shrine was first established. It's an absolute delight to walk through. Not only is it stunningly beautiful, but you get a real sense of both history and magick, like the trees know something you don't and are whispering about it to each other. That's what I thought, anyway.
The Meiji Shrine had some of the coolest amulets, in my opinion, so I got a couple of them. One was a mini wooden shrine for improving academic excellent, another was a wooden sphere for the union of spirit and nature, and the third was a silver charm for the union of body and soul. Unfortunately, I can't seem to find the latter; it's possible that it got mixed up in the packaging when I was taking my things out of my suitcase, which is somewhat upsetting. Still, I figure that if it's meant to come back to me, I'll find it sooner or later.

Kiyomizudera

And you thought I was done talking about my Japan trip! ;) Not even close. It does give me a lot of blog fodder, though, so I may stretch it out just a bit.

Otowa-San Kiyomizudera

Literally "Clear Water of Mt. Otowa Temple", Kiyomizudera is another famous Buddhist temple in Kyoto. Founded in 778, before Kyoto was made Japan's capital, the temple buildings have been burned down numerous times. Most of the present buildings were rebuilt by the Shogun Tokugawa in the 1630s. In 1994, it was added to the UNESCO World Heritage list as a historic monument of ancient Kyoto. 

Kiyomizu Temple is a stunning example of Japanese architecture and worship, but regrettably, I only have a few pictures since many of the buildings prohibit photography. 

This is the Deva Gate and primary entrance into the temple grounds. Devas (Ten in Japanese) are Buddhist entities who live on higher planes. They are invisible to the human eye, but those with special extrasensory capabilities may possess the power to hear their voices or see them psychically, or the spirits may take on an illusory form to manifest themselves on the human plane. Their powers include flying and moving from place to place with great speed; the more powerful varieties neither eat nor drink. Under the umbrella term "Deva", there are many varieties of spirit, each having their own abilities and place in the universe. They are arranged hierarchically and in this way could be considered comparable to angelic choirs in Christianity, but a Buddhist would likely caution one to not assume that Devas are equivalent to angels; indeed, some important distinctions exist that one should be aware of. For starters, Devas are not paragons of morality. They certainly can be, and many are, but it is not a requirement. Some possess human vices like arrogance or pride, and likewise they are not omnipotent. Furthermore, Devas are not immortal (though their life span may be billions of years), and they reincarnate just as all other mortal beings do in Buddhist belief. A Deva may come back as a human, another Deva, or something else altogether. It is not easy to work with this brand of spirit, as getting their attention is a challenge, but if they can be contacted they tend to give valuable advice and insight.

Remember the Komainu from Itsukushima? Here's another one, right outside the Deva Gate.

This one is not my picture. It shows the main hall of the temple and the terrace which provides a stunning overlook of the valley and of Kyoto beyond. In this hall is enshrined Kannon Bosatsu (remember her from Kinkakuji?) and I got to see a group of monks performing mass here as well as individuals making offerings and prayers.

This (also not my picture) is the goddess Kannon shown in her form of having 11 heads and 1,000 arms. According to legend, she saw all the misery and suffering in the world but could not answer all the prayers of her supplicants, so her head split into 11 pieces and now she has 11 mouths with which to answer. Likewise, her hands could not offer help to all of humanity, so her arms split apart and now she has 1,000 of them to aid her in her task. The Kiyomizudera statue is hidden most of the time; according to my research, it is only viewable once every 33 years.

The name, Clear Water Temple, comes from the fresh mountain springs which have been flowing since the temple was founded. There are three springs, and patrons wait in a long line to hold a bamboo ladle under the water and drink. Each spring has a different association - longevity, wisdom, and love - but it is generally considered bad form to drink from all three.
I did buy lucky amulets here, of course. One is a small figure of the "god of Business Success", and the other has a dragon printed on the fabric for good fortune.

Litha Altar

It's a bit late now for pictures, I suppose, but I did want to share some insight into my Litha altar from earlier this month because it highlights a couple of new design elements.

If you're familiar with how I usually lay out my altar, it's pretty immediately obvious what one of those changes is - I've got my BOS moved over to the left side instead of centered. I actually don't like that as much, because it feels a little off-balance to me, but I just bought the navy blue altar cloth at Kinkakuji in Kyoto, and I didn't want my binder covering up the design. Naturally, it got covered up anyway. Go figure.

I also bought this little guy in Japan - he's my new (read: only) crystal ball. In actuality, I'm reasonably sure the ball is glass, but it works as a focus point, and it's being held by a precious little bunny, so how could I refuse?

And then there's this. I mentioned it a few posts ago, but this is a (bad) picture of my new chalice from Aunt C. It's hard to tell with the poor lighting, but it has a purple triple moon symbol on it with a triquetra in the middle.

Finally, this little guy is a Daruma doll. I'll probably blog more extensively about them later (especially if and when I use it), but in essence, one paints a single eye black and makes a wish, and then paints the other eye when the wish is fulfilled.