SIPA Imbolc

Since SIPA always has a potluck with their rituals, I borrowed a pot and made up some soup this evening; it wasn't anything fancy, just a mix from the convenience store and some tomato puree, but it turned out pretty decent.

I've hardly ever used the dorm's communal kitchen, but this seemed like as good a reason as any. I even got a bonus view of the sunset.

This little framed painting was, I think, unrelated to the ritual, but it was sitting out in Gaia House, and I liked it. "But still, like air, we rise. ~Maya Angelou"

The main altar; I love the cloth, I need to see about getting one for myself sometime.

I wish I would have gotten a picture of the Air elemental altar. All the elemental altars were nice, but the one for Air was just so pretty - it had a bunch of crystals, including a gorgeous Quartz cluster, a drawing of a deity who I think was Hermes, and a Pegasus statue. A very elegant set-up.

Ritual fire in the fireplace; I took this right after it had been lit, so it hadn't quite caught yet.

The main portion of the ritual was spent chanting while making Brighid's Crosses. They came out looking more like God's Eyes, but it was a lot simpler for a large group to do than trying to teach everyone to weave straw the traditional Celtic way, so it worked out.

My Brighid's candle, which I lit in the last part of the ritual.

The potluck was afterwards, with lots of good food, and then I headed back to my dorm room. Great night!

January 30th, 2016

Tonight was SIPA's Imbolg ritual over at the Gaia House. There were a lot of new people, plus the usual crowd of folks I'm starting to get to know. As part of their fundraiser, SIPA was raffling off a sword and chain mail shirt donated by one of their members. It would have been pretty cool to win, but I think my dorm might have a policy against swords...

Sword

Chain mail (and sword, but the lighting was bad and you can't really see it.)

Imbolg altar. Our ritual was dedicated to Brighid, and centered around red candles; everyone had a taper which we carved our intentions for the coming year in, before lighting them from the center candle, which has been used by SIPA since 2003, and was itself initially lit from Brighid's sacred fire in Ireland. Afterwards, we enjoyed milk and some delicious homemade bread.

My taper candle after the ritual. 

It was incredibly warm tonight - even at almost 9:00 at night, it's still now over 50⁰F outside. I don't know if I've ever known Imbolg to be so unseasonably warm!

June 5th, 2015

So I finally finished reading my fairy encyclopedia! I don't know why it took me so long to get through, but regardless, here are my thoughts on it.

Title: The Element Encyclopedia of Fairies 
Author: Lucy Cooper
©2014

Calling itself the "ultimate A-Z of fairies, pixies, and other fantastical creatures", I wasn't sure how I would feel about this particular encyclopedia of folklore when I picked it up at Barnes & Noble a couple of months ago; I'd read part of another mythology text in the Element Encyclopedia series and had not been impressed. However - this very quickly won me over.

It is clear from the get-go that the author has done her research. Cooper's writing is authoritative and in-depth. While this is not a how-to for someone interested in actively working with fairies, it also is not condescending in any way towards those who believe in them, either. When one considers writing style, the book is made both engaging and accessible while being very informative. The cross-referencing of different names for the same fairy(ies) is not perfect, but is very good on the whole, and her crediting of and reference to other compilers of folklore is one of the better ones I've run across outside of academic texts.

All that being said, it's really the information that the reader cares about, and this text has a lot of it. There are multiple inserts throughout the book (about one every 150 or 200 pages) which discuss topics not specific to one type of fairy. These include:

• What are fairies?
• Where is Fairyland?
• Connecting with fairies
• Elementals and flower fairies
• Fairies in literature and legend

Then, of course, there is the actual A-Z itself, which talks about fairies and similar spirits from around the world. All of this info is drawn from documented myths, and Cooper even goes on to tell the reader which books they can look to so as to read the original legends. In many cases, she provides abridged versions of the stories, which are interesting reads in and of themselves.

She also includes important people, particularly writers, relevant to the world of fairy tales in the encyclopedia. I found this useful because though I might read classics like Andrew Lang's The Blue Fairy Book and etcetera, I do not always know much about the authors, where they are coming from and what their biases are, or where they were getting the folktales that they then published in their collections. I appreciated Cooper providing that cursory bit of perspective.

The Cottingley fairies, which Cooper discusses at length

And yes, I did say "spirits from around the world". The book is probably Eurocentric, it's true. Many of the stories come from Ireland and the UK. This is not inherently a bad thing, of course. I myself have always loved English flower fairies, and the Celtic Tuatha de Danann. But, other cultures have fairies and fairy-like spirits as well, and they often get ignored in texts like this. Cooper's book, however, actually gave more information than in many of her peers' works.

Although there is very little coverage of South or Central American lore, she talks about spirits from many different North American native tribes (Navajo, Ojibwe, Algonquin, Sioux, Inuit, etc.), Aboriginal Australians, African peoples (primarily focusing on Nigerian Yoruba lore), and the Maori people. There is also discussion of Chinese, Japanese, Korean, and Siberian fairies.

Additionally, I feel I should point out that Cooper does not take deities and call them "fairies" for the sake of bulking up her content. Of the few that are in the book - Brighid comes to mind - she explains the reason for their inclusion; in Brighid's case, it is because she was a Tuatha de Danann before she was worshipped as a goddess.

Finally, Cooper makes note of where some of these spirits have appeared in pop culture, which I always find to be fun and interesting trivia. For instance, Harry Potter fans might like to know that Dobbys, Cornish pixies, and Padfoots all appeared in local English legends well before JK Rowling wrote them into her delightful series.

Tl;dr: If you are looking for a guide to working with fairies, skip this one. If you want to read about the stories and histories of fairies, this is a great place to start.

~Fairy folk are in old oaks~

January 7th, 2014

Hazelnut gave me a copy of this book as a Yule gift, and I thought I might review it here for anyone interested in learning more about the fairy peoples. You may recognize the format if you've seen other books by the same publisher, such as The Crystal Bible.

Title: The Fairy Bible
Author: Teresa Moorey
Date of Publication: July 1, 2008

I was impressed in general by the text's content; many similar books that I've read in the past just invent names of fairy species that aren't backed by any sort of history or lore. Granted, many of the texts I've read are intended for younger audiences, but even so. All entries in this book introduce the original mythology for the spirits, and some also give examples of how they have been reimagined in pop culture.

The book's categories are as follows: Water, Air, Fire, Earth, House, Flower, Tree, and Weather. Each category then has the related spirits, as well as information at the end of each section on meditations that can be done to contact these fairies. Most of them also have suggestions for the
 kinds of altars that could be established to attract the type of spirit in question, as well as to make your living space a more welcoming environment for them.

Most of The Fairy Bible's entries come from the folklore of Western Europe,

particularly the British Isles, and I was left feeling like the inhabitants of other cultures were rather under-represented. That being said, the book does incorporate entries for djinn, domovoiye, a few Native American entities, and a Japanese water spirit, so it did make some level of effort.

Still, some of what the author considered suitable content was questionable to me. For example, the book contained sections on several deities, including Pan, Brighid, Hermes, and others. While I certainly don't object to learning more about these Powers in general, it seems to me that it might offend said god/desses to be included in a book regarding Fey. This is not to say that Fey are lesser Powers - many of them certainly possess astounding capabilities - but it seems odd to me that deities which are never portrayed as fairies in their myths are then included in the book.

Not only that, but famous fairy entities that one would expect to see in a book like this - for instance, the illustrious Queen Mab - were hardly mentioned at all.

All in all, I thought it was a reasonably informative book, and most of its meditations and other exercises were well-composed, but buyers should be aware that some of the content is a little watered down, and parts of it come across as more of a "how-to-Pagan" than a strictly-informative guide to the fairy realms. Ultimately, know what you're buying. There definitely is quality information in it, but in places it takes a bit of digging.

I would call it, "fairies for beginners", and not, "the definitive guide" as the cover suggests.

Corn Dolly

How many of you ate corn on the cob for the 4th of July yesterday? Come on, raise those hands... I know I did, and as such, I had a big bag full of leftover corn husks afterwards. Why waste those precious husks on the garbage can? A compost bin is a good place to begin, but a good number of those husks can be saved and turned into corn dollies, which make great decorations for Lammas, Mabon, and even Imbolc! So go on, grab a hand-full of them. I'd recommend having 20 or so on hand, per dolly. You probably won't use all of them, but having extra is better than not enough. If you didn't happen to have any corn on the cob last night, it's okay. Most megamarts carry dried corn husks that can be used instead - just soak them in some water for about a half-hour first. You will also want a pair of scissors, some cotton balls (two or three per dolly), and a skein of yarn. I chose red, but the color is really up to you.

Head:

1. Take a single husk and place a cotton ball or two in the middle. 
2. Fold the husk in half and twist around the cotton balls to form the head.
3. Tie in place with yarn.

 Arms:

1. Take two or three corn husks, and lay them on top of each other. Fold in half, and then in half again.
2. Tie off both ends of the husks with yarn to make the arms.
3. Slide the arms between the front and back flaps of the head piece. Tie in place with yarn, wrapping around several times.

Skirt:

1. Begin layering husks around the waist of the corn doll, pointing up. Yes, that's right - it ought to look like your corn dolly pulled a Marilyn Monroe.
2. Once the skirt goes all the way around the doll, still flipped up, tie the husks to the torso tightly.
3. Begin pulling the husks down over the top of the yarn, so that her skirt appears normal, and conveniently hides some of the yarn.

Extras:
At this point, it's up to you. You could use some yarn, leftover husks, raffia, or other material to give her hair. Using glue and some beads, or just a marker, you can add a face. A poncho-style dress is easily made by taking a length of fabric twice as long as the body, folding it in half, and cutting out a circle for the head. Slide the fabric over the head, and consider tying off with ribbon or more yarn. Or, just leave the dolly as-is. You be the judge.

February 29th, 2012

Happy Leap Year, everyone! As I'm sure you know, every four years February has an extra 29th day to keep the years in time with the seasons. As with many such occasions, there is legend and myth tied to this event, dating back to as early as the 1400s.

According to legend, St. Brighid (sound like a Christianized version of an Imbolc Goddess to you?) complained to St. Patrick that it was unfair for women to be unable to propose, as in this time, and even to modern day in many places, women had to wait for a man to propose to her. St. Patrick then set up a compromise: women would be permitted to propose one day every seven years. Brighid was not content with this, and an argument ensued. Eventually, both came to the agreement that women would be allowed to pop the question once every four years, on Leap Day. Brighid then proposed to Patrick, who refused, but gave her a kiss and lovely dress in consolation. Since then, this legend has come to imply that any marriage where one was proposed to on Leap Day will be happy and lasting. However, this is untrue in Greece, where to be married in a Leap Year is actually considered unlucky. In Denmark, it is a standing tradition that any woman whose proposal is turned down on Leap Day must be compensated by the man with a yearly gift of gloves, for 12 years. Similarly, in Finland, if a man turns down a woman, he must provide her with the fabric for a new skirt.