A Fun Photo

Andi took this picture of me at yesterday's rock painting event. I like it a lot!

October 2nd, 2017

Had some fun yesterday over at Gaia House with SIPA; they put together a little crafting event painting rocks with fun images, affirmations, etc. The idea is to take the rocks after the fact and hide them for other people to stumble across.

I gave the one with the dragon away, and I'll probably keep the Eye of Horus stone, but the other two I may hide in the courtyard near where I have class.

Virtually any common stone works for this craft - I used river rocks, but there was also some sandstone pieces that came out nicely - and regular acrylic craft paint will stick so long as you let it dry between coats. A final spray-on coat of clear sealant should set it permanently.

February 23rd, 2017

My handmade paper came out very nicely. I got to pick it up this morning, and now it's ready to go the next time I work on my Book of Shadows.

February 20th, 2017

I had a fun time tonight over at the campus craft shop hand-making paper; one of my friends is an RA, and she set it up as an event for her floor. We weren't using any particularly fine techniques, but it was cool to learn how to do, and I think my sheets will make a nice addition to my Book of Shadows.

The craft shop had a pulper to grind up fabric and paper scraps, which were submerged in water. Then we took forms with mesh across them (deckles) and dipped them into the slurry; pulling these up creates a thick, goopy mess of future-paper on the form. We had the option to add in bits of string, decorative fabric, or seeds, and there was also a little bit of spray-dye, so I spritzed mine with blue. Then you have to squeeze and press the water out of it, all while being careful not to tear the wet paper.

It has to dry overnight, which means I can't pick it up before tomorrow at the earliest, but I am excited to see how it came out! I've always wanted to try paper-making, so this was a good experience. I'm not sure if I'll reserve all of it for my Book of Shadows, but I definitely will set aside a sheet or two for that purpose.

Paper-making can be done in the home, but I've never done it myself, and therefore do not have much information on the subject. That being said, additives like pigment, essential oils, petals or seeds, and etc. can all be used to personalize paper for spiritual and magickal uses. I'd love to try it again sometime - perhaps that's a summer project!

February 19th, 2017

It occurred to me that, although I showed pictures of mine, I never explained in my post last night what a vision board is. Lots of people - including plenty of non-Pagans - make them, because they are a tool for goal setting, affirmations, etc. When made with intent, they are a powerful way to create change in your life.

Simply put, one collects images from photographs, magazines, newspapers, or other sources that reflect a goal or series of goals. One then collages these together, and displays the board where it is visually prominent. Seeing the board subconsciously reinforces one's commitment to those goals. If done in conjunction with a ritual, or even a more informal spiritual setting, once could charge it with power to further reinforce its energy.

The above example is from Google Images; searching the term "vision board" brings up many others. They can be made for the whole year, for a single goal, for many goals - it's really up to the individual. One of the women at SIPA last night says that she does mini, weekly vision boards in her planner - I know I don't have the time to do that regularly, but it sounds like a fun (and useful!) idea.

February 18th, 2017

SIPA hosted a fun little workshop tonight over at Gaia House - vision boards! I've made them before, but it's been awhile, and it was nice to get together with friends and tear up some magazines.

There was probably about eight or so of us who attended, and we made quite the mess. There were paper scraps and piles of glitter everywhere! Several people brought piles of magazines and cardstock, so we just tore into it finding words and images that stood out to us.

There were also snacks, and we got a Pagan playlist going on YouTube.

My in-progress vision board...

...and the finished version! I also wrote out my intentions and things on the back (and yes, that is Michelle Obama in the lower left corner - let's face it, her poise and grace are goals).

Last but not least, here's my vision board sitting on my altar where I can see it. I really like how it came together, and getting to be crafty was a great way to end my evening.

July 30th, 2016

I'd like to share a cool weather charm I learned to make while in Japan. I used it today, and it worked... well, like a charm!

These little guys are called Teru Teru Bōzu (照る照る坊主), "teru" meaning "shine", and "bōzu" meaning "monk". The ones in the picture above are fairly elaborate, decorative varieties, but the ones I learned to make were quite simple.

You need:

• Two (2) sheets of paper
• I used regular printer paper, but cloth or tissue paper is probably more traditional
• String or a rubber band
• Marker(s)
• Other decorations as desired

Begin by taking one sheet of paper and wadding it into a firm ball. Take the second sheet and pull it tightly over the ball to make a sort of ghost shape, with the ball-containing end becoming the head. Tie a string or rubber band around the charm to hold the ball inside the second sheet of paper. (Ever make ghost lollipops for Halloween/Samhain? It's the same principle.) Then draw on a face or otherwise decorate.

These "shining monks" are weather charms which became popular in the Edo period and are still used today. I was taught to make them by some high school students in a Japanese farm town. The Teru Teru Bōzu are hung up outside under the eaves to keep away rain before big outdoor events like school picnics and etcetera. They can also be hung upside-down to invite rain during a dry spell.

We were supposed to have big thunderstorms all day today, but it was my town's annual summer parade and carnival, and I really didn't want the festivities getting rained out. I set out my Teru Teru Bōzu (pictured below), and while we had some pretty dark clouds go by for a while, we never got rained on, and actually had some sun and blue sky by afternoon!

Apparently, there is a traditional nursery rhyme (warabe uta) which can be sung along with their use. I'll add the translation under the YouTube link.

Lyric Translation:

Teru-teru-bozu, teru bozu
Make tomorrow a sunny day
Like the sky in a dream sometime
If it’s sunny I’ll give you a golden bell.

Teru-teru-bozu, teru bozu
Make tomorrow a sunny day
If you make my wish come true
We’ll drink lots of sweet sake.

Teru-teru-bozu, teru bozu
Do make tomorrow a sunny day
but if it’s cloudy and I find you crying
Then I shall snip your head off.

July 22nd, 2016

I've spent the last week working on a bit of a sewing project. Last summer, I made myself a weighted blanket (which you may or may not remember from this post); I love it, and so does my girlfriend, so I offered to make her one of her own at the next opportunity. Last Friday, I was able to go pick up supplies, and I finished it this morning.

As I did last year, I selected four little crystal chips and added one along with the poly-pellets in each corner. I chose two Quartz, one which I think is Moonstone, and a black one I couldn't identify but which I figured would still pick up on protective, grounding energies by virtue of its color. I cleansed them all, and empowered them to instill the blanket's user with comfort and peace. As that is sort of the point of a weighted blanket anyway, I liked the idea for reinforcing the blanket's purpose.

Here's the finished blanket. Blue is her favorite color, and the fabric has a really fun, soft texture. The grey backing fabric has a much more subtle pattern, but it's also a pile fabric, which makes it soft. It was important to me to be listening to videos that exhibit a positive energy while I worked, because it is my belief that when sewing, knitting, or otherwise making textile crafts, it is possible to weave one's thoughts and energies into the piece itself that can then affect the user.

I'm very happy with how it came out. It also took me a lot less time to make this than my green one from last summer, which was a bonus, and in general it just ended up looking neater now that I have more practice.

With Lughnasadh coming up soon, this is a great time of year for arts and crafts of all kinds, as Lugh is a god of artisans and the season can tend towards that direction. As it is, I always enjoy making gifts, and I especially like to add little bits and pieces of magick to the things I make.

Weighted blankets are wonderful tools for people like myself who find the feeling of gentle pressure to be soothing. Autism, ADHD, and other forms of neurodiversity can affect sensory input, which may make the sensation of pressure more appealing, although I am sure there are also neurotypical people who would enjoy a weighted blanket as well. For anyone interested, these instructions are the ones which I followed, and I liked them a lot.

March 17th, 2016

Happy St. Patrick's Day! A lot of my spring break so far has been consumed by homework, and a lot of the rest consumed by cleaning. We're getting new carpet tomorrow, and we've had to take everything off of our shelves and other pieces of furniture, getting them out of the way for the carpet install. Most of our possessions are currently occupying the garage, and my things in particular are stacked up in the computer room, which has laminate wood flooring.

Since we were taking everything out and cleaning anyway, I figured this was a good time to do some heavy-duty space clearing. I started off doing all the physical work - vacuuming thoroughly, dusting everything off, moving furniture that hasn't been moved in 10 years to clean behind it, etc. I finished that up today, and then decided I was going to open the windows, play some music off my Pagan playlist, and use a shaker of mine to break up stagnant or negative energy.

Well, things were going great, my room was cleared, I was jamming with my shaker, and I had just finished driving all that unwanted energy to the front door to banish it outside, when my shaker broke in half and spilled plastic beads all over the floor. Apparently, the effort of space clearing was too much for the cheap glue holding it together. I swept up, finished chasing the stagnant stuff out the door with the broom, and then decided I was going to fix my little instrument.

I replaced the plastic beads with barley (for Athena) and short grain Japanese rice (for Amaterasu), and hot glued it back together. I think it actually sounds better now.

I finished up by using a bell to invoke positive energy, and not leave a void in my room. I'll have to go around after the new carpet is in to really build in some protective enchantments and whatnot.

January 26th, 2016

I've had an almost-unnerving amount of free time after my last few days of class in which to sit and read, so I've been working my way through my new books. The first one I picked up was Moon Magick, which I've seen recommended on a few different Pagan and/or witchcraft channels I watch on YouTube. I'll be honest right off the bat: I did not love this book. My review of it, therefore, may be a bit rant-y. You have been warned.

Title: Moon Magick: Myth & Magic, Crafts & Recipes, Rituals & Spells

Author: D. J. Conway

© 1995

I was first intrigued by this text because it sounded like it should be extremely comprehensive, and the formatting reinforced that impression. Also, the artwork throughout the book is quite beautiful. 

The first chapter examines accounts of the moon's effects on human behavior, while the second examines beliefs relating to the lunar year. From there, the book breaks down every lunar month into its own chapter, and lists a ton of information corresponding to each one.

These chapters begin with a quick breakdown of which lunar goddesses around the world have festivals in that particular month. It follows this with a bit more elaboration on the purposes of these festivals and the deities they are associated with. Each month also has a list of magickal correspondences, including stones, herbs, colors, animals, and etc. Conway provides surviving bits of folklore attributed to that moon, and then several simple recipes to try. Each chapter also has ideas for small crafts, incense or potpourri blends, and summaries of the myths of the relevant goddesses. She even provides sample rituals honoring those deities.

It may sound pretty decent, and I cannot deny that there are parts of this book which were quite good, and which I will use. However - I have a few pretty significant complaints to lodge against this text which prospective readers may want to be aware of. Possibly these are related to the age of the book (it turned 20 last year), but as modern Pagans continue to read books like this, the associated issues continue to persist in our community.

First: this text does a great job further solidifying the gender roles which are often assigned to women in ritual, specifically the idea that women can only relate to moon goddesses (one of the other books I'm reading at the moment is doing a marvelous job at arguing against this premise), that feminine always equates to passive, receptive, and/or negative energy, and that masculine and feminine energies are the only kind which exist. As a woman with several friends and acquaintances who do not subscribe to the gender binary, this strict adherence to the male/female division strikes me as cissexist, especially when one considers that there are many deities who are agender, genderfluid, or otherwise neither specifically male nor female. On a side note, some of her cologne or herb blends are specifically listed as being "for men", because apparently Conway's notion of gender is outdated enough that she thinks men cannot enjoy lighter scents, and that women won't like something spicier or more savory.

Another issue I take with this is that it is at times very Eurocentric. While I have no issue learning more about Artemis, Diana, and Selene, there are moon goddesses all over the world, and I would have liked to learn more about them, especially as this book is making the claim to be a global representation of moon worship. There was little information from Africa or Asia, and virtually none pertaining to North or South America. Not only that, but what information there was about non-European cultures was at times just plain incorrect. I cannot claim to be any kind of expert on mythology, but there were some instances where even as a layman, I could tell that Conway's information was wrong. In one instance, she has a "Japanese friendship branch" craft, which she claims is given for weddings, birthdays, and new homes. In six and a half years of studying Japanese language and culture, I have never heard of anything remotely like this, and google does not turn up any results which remotely resemble what Conway is talking about.

Additionally, I found several instances where the language pertaining to other countries and peoples is objectifying at best, possibly tending towards racist by today's understanding of language. For instance, it strikes me as being inappropriate to take a drink based on Indian recipes and refer to it as "exotic", and I also am not thrilled by her practice of adding cinnamon or sandalwood to an incense and thinking that somehow makes it suddenly "middle eastern". If there are actual historical precedents for any of her blends, she did not list them. She could easily have named them something else without any stereotypical overtones. 

Moreover, I object to Conway just taking traditional practices from existing cultures and re-writing them for Wiccan-flavored rituals. While I do think people should work with the deities that call to them, I think that that should in all cases be done respectfully. Appropriating bits of somebody else's culture and pantomiming their religious practice does not in any way strike me as respectful. 

Of less importance, but still irritating to me, Conway cites herself a couple of times, which from a scholarly perspective is a problem, especially as I don't think any of her other books can be considered especially authoritative in their fields. Not only that, but she also interrupts herself a few times to recommend other Llewellyn products. I can't decide if that was her choice, or something Llewellyn advised her to include, but in either case, I don't need to be marketed to while I'm trying to read.

TL;DR: If you're looking for very general, beginner information about lunar deities, it might be worth skimming through Moon Magick and seeing what appeals to you. However, I would take what Conway says with a grain of salt, as her historical information in this text strikes me as very suspect at times, and her treatment of South and East Asian deities in particular is often exotifying. It's definitely the sort of thing I'd borrow or buy used, rather than paying full price.

September 7th, 2015

Today I tried making a carved apple head! I read about them a long time ago in a book of witchy crafts, but then I was reminded of them about a week ago when Ember HoneyRaven did a video about making some.

That's how mine turned out. Apple heads are great decorations for Mabon and Samhain altars and generally for throughout the autumn season. To make one, you only need:

• Apple(s)
• A knife
• A peeler (optional)
• Lemon juice (optional)
• Paper towels

First, peel the apple. This can be done with a peeler, or a knife. Either way, be careful not to cut yourself. Then, take the knife and carve the outline of the main facial features into the apple.

Once the outlines are there, dig out the eyes. Those should be deeply carved. Also carve around the nostrils, though not as deeply. Add definition to the lips, and create a deep mouth cavity. If possible, over-emphasize all the features, because the apple will shrink as it dries. If desired, ears can also be carved on the sides, and one can add eyebrow ridges and cheekbones by carefully shaving away apple. 

Once the face is finished, rub it with lemon juice to prevent the fruit from browning.

Dry in a dehydrator, in an oven at 150⁰ for one hour, or over the course of several days in the sun. When finished, one can add a hanging string to the stem. 

For a visual tutorial, check out my video here:

August 27th, 2015

I've been working some more on my YouTube channel the last couple of days. I'm still working on getting all my videos properly captioned, and also just put together kind of a personal introduction.

You would think that I would have made this several years ago, but better late than never. Anyone who's been reading this blog for a while is probably aware of most of the things in this video, but if you're the sort of person who likes hearing the voices of other people, consider checking it out. I talk about my craft, my school, my art, my asexuality, and about some of the neurodivergence I have going on in my head.

Hope everyone out there is having a great week. I've been extremely busy with school, but I'm hoping to relax a little this weekend. Maybe I'll even get some more posts up!

August 7th, 2015

After years of a nagging intuition, I was finally galvanized into actively seeking a patron or matron God/dess this past weekend when I found an embroidered Athena drawstring bag at Fairy Fest. I've felt drawn to Her for a long, long time, and finally felt the time was right to reach out to Her, so I bought the bag to give as an introductory offering. Yesterday, I spent several hours researching Hellenic Paganism; while I enjoy practicing as an eclectic, it was important to me that I honor Her in the appropriate manner. I found this website to be an extremely helpful introduction.

I also wanted to give an offering of olive oil and barley, and luckily we had both in the pantry. I set up a small shrine to Her last night. It looks like this:

You can see the oil and barley sitting on the left; I later poured these into the white dish. The back of the altar is adorned with some paintings of mine, as well as several owl images, a few things I've crocheted, and some of my pottery. I put some knitting needles and a crochet hook in one of the pottery pieces. Also present is a tea light, a replica arrowhead, and an award from my high school. 

I wore the flower crown I bought at Fairy Fest, as well as an owl ring, and a red shirt. According to Judika Illes' Encyclopedia of Spirits, red is Her color. 

I had worried that I would not receive a response, but no sooner had I finished introducing myself and giving the offerings than I received an image of Her in my head. She spoke to me for some time, and one of the final things She requested was that I share the knowledge of her power. So - if you are feeling in any way drawn to Athena, then make yourself known to Her! She accepts all honest acts of devotion.

Here's a closer look at the back of the altar:

July 27th, 2015

I finished my cross stitch last night, and just got it all ironed!

The design was already pre-printed, and all I did was come in and add the glittery embellishment stitching, but it was still a pretty involved project, and I'm happy with how it came out. I will need to get a frame for it eventually, but right now I may just set it on my altar, so as to honor Lugh the Master Craftsman.

Just a little bit of mystical artwork for you all this afternoon.

Also: Wow! Hello to all my readers! I haven't had this many page-views since December of 2012, so I'm not sure what's up with that, but it's great to have you all, and I hope you're enjoying my blog.

July 12th, 2015

Destiny came over for a while this afternoon, and among other things, we decided to make God's Eye crafts. We found some redbud tree sticks out front of my house, and then I had no shortage of yarn for the actual construction.

Mine is the green, and hers is the blue.

~~~~~

The history of the God's Eye amulet is an interesting one. I've used them in the past for altar decorations at Mabon or Samhain, and have seen them conflated with the Egyptian Wedjet (Eye of Horus) elsewhere on the internet.

While they may serve similar purposes, further research tells me that the God's Eye is not Egyptian at all, but actually originated in the Americas. The jury is out on whether the design comes from the Pueblo people of present-day New Mexico, USA, or from the Huichol people of Sierra Madre, Mexico. Either way, similar crafts were produced across much of the region for spiritual and decorative purposes.

The more correct name for the God's Eye is Ojo de Dios (literally "Eye of God" in Spanish). To the Pueblo, they were tokens of celebration or blessing. Often, they were given as gifts and/or were used to bless a home. From the 1500s - 1800s, they were found along trails or places where people worked to "see" things not visible to the mundane eye. To this end they had a protective quality. They were made meditatively, either in solitude or with others, and the making was a spiritual undertaking.

The Huichol and Tepehuan natives used the Ojo de Dios as a ritual, magical, and cultural tool. They referred to them as Sikuli, which meant that the crafts symbolized the power to see that which is unknowable. Meanwhile, the four corners represented earth, air, fire, and water. Sikuli, along with other objects including feathers and arrows, were left in sacred caves as offerings to the gods. 

Some Christians have appropriated this craft as a symbol of their single, all-seeing god. 

Making and Ojo de Dios is simple. The materials are only sticks and yarn, although a drop of glue may be helpful for children. Cross the sticks, and wind the yarn around them as seen in the diagram:

They can be further decorated with beads or feathers, as desired.

Place on the altar, or hang near a door to bless and protect a space.

June 4th, 2015

It's been a quiet day of crafting for me. I made a birthday gift for my mom, and then decided I could finish up an older project (by "older", I mean "abandoned for two or three years"). I made three of these little knitted bunnies ages ago and started on the green one, but then lost motivation halfway through. Later it occurred to me that the colors I had picked at random were actually elemental colors. 

I went ahead and finished the green one today, and now I have them situated around my room according to their corresponding direction.

Green, of course, is earth and North, yellow is air and East, red is fire and South, and blue is water and West. 

If anyone else is interested in making their own elemental bunnies (they also make great herb satchets, cat toys, etc.), the pattern is available for free download here.