Today I finally finished reading The Sun Goddess, a book I started at the beginning of the semester. I would just like to say straight off the bat that this was an excellent book, and I would highly recommend it.
I came across the text after watching The Pagan Scholar on YouTube. The fellow who runs the channel, Travis, is an academic who reads and reviews scholarly works on contemporary Paganism. He had reviewed a title called Eclipse of the Sun, a book on sun goddesses, and I was really interested in reading it. However, when I went to order some books with a giftcard, I couldn't remember the title, nor could I find the video he talked about it in (I now know it was "Ouch, My Paradigm"). I ended up looking at other books on sun goddesses instead, and decided that this one looked promising. I ordered it, and am nothing less than pleased with it as a scholarly examination of the sun goddess narrative.
Title: The Sun Goddess: Myth, Legend and History
Author: Sheena McGrath
© 1997
Sheena McGrath is a practicing Pagan now living in California. She has been involved in groups in England and Canada, and has her degree in medieval studies.
McGrath's book opens with a proposition: that modern Pagans (and non-Pagan scholars, for that matter) who automatically associate the goddess with the moon and the god with the sun are looking at mythology too one-dimensionally. She proposes instead that the majority of pre-Christian Indo-European religions worshiped a sun goddess, with a corresponding moon god. She then goes on to prove this thesis with evidence from a plethora of Indo-European cultures, citing language, migration patterns, iconography, and surviving verses and folklore; she makes a compelling argument suggesting that, historically, the Greeks and Romans were really the odd ones out in terms of assigning gender to the luminaries.
McGrath begins by introducing the reader to the Indo-Europeans, describing how and where they lived, how language patterns (and in particular, gendered language regarding the sun and moon) changed, and why she chose to compare their mythologies. Namely, Indo-Europeans prior to Christianization had a mythological cycle which was identifiably similar across political, cultural, and ethnic boundaries.
She then launches immediately into describing known sun goddesses from across Western Europe, talking about what we know of their worship, the symbols they used, and what remains of their stories. McGrath starts with Sól in Germany, then moves to Sunna in England, and continues with Freya in Scandinavia, St. Lucia in Sweden, and Œstre of the Saxons.
Next, she looks at Eastern Europe, beginning with the Baltic Saule. She talks at length here about the myth cycle, comparing it to trends in other regions, and in particular examining the frequent pattern of a moon god who seduces the sun goddess' daughter, the sun maiden, as well as twin sons of the sky god who are to be the sun maiden's husband(s). McGrath examines some known sun maidens, and includes in her list Auszrine. She also describes the horse and the swans as being significant examples of sun goddess imagery.
The following section traces sun goddesses in Slavic mythology, looking at Solntse, who between Her and Her sun maiden daughter also fulfill a role in the cult of the dead. McGrath further describes Slavic goddesses of the solstices, a mysterious solar goddess frequently depicted on traditional wedding embroidery, and how even in the Catholic church, the Virgin Mary has come to have solar aspects in Russia.
Then McGrath moves to the Celts, pointing out Grian and Graínne, as well as goddesses of hot springs like Sul, and fire goddesses like Brigit. The Celts also worshiped a series of horse goddesses, and McGrath reiterates her position that equine goddesses usually have a solar aspect. These include Áine and Macha.
She also covers Arinitti and Nikkal of the Hittites, Arevhat of the Armenians, and Mtsekale of the Georgians.
While McGrath does acknowledge that the Greeks do not generally support her proposal (and indeed, notes that part of the reason for the dominance of the moon goddess, sun god narrative is a fierce historical obsession with neo-classicism), she does point out that it's not all so cut-and-dried as Helios or Apollo as the sun god with Selene or Artemis as the lunar goddess. McGrath brings up references to a female Helia, as well as the the strong solar imagery associated with Pasïphae (who mated with the very lunar bull in the story of the labyrinth). Other Greek women associated with the sun include Circe, Medea, the Hesperides, Eos, and even Helen of Troy.
Then the text moves on to India, where the sun god, Surya, has an aspect, Savitar, which is sometimes addressed as female. There is also his horse goddess wife, and a daughter, Suryaa, a sun maiden who marries twins, as in other Indo-European mythologies. Then there is Tantra, a fire goddess, and Ushas, goddess of dawn.
The next few chapters restate much of what has been said already, but categorizes information differently so that if one were looking for a specific piece of information, it would be easier to locate. One chapter discusses the relationship between solar goddesses and mazes, while others discuss the moon, sky, and thunder gods.
The final sections of the book switch from scholarly research to application, a pleasant surprise for me, as I had not expected this book to contain any information on ritual. McGrath provides a very simple ritual structure, and then offers several guided meditations and rituals by which to honor various sun goddesses and moon gods.
Whew. If that seemed like a long summary, it's because it was. This is not an especially thick book (177 pages, not counting appendices or the bibliography), but it is dense. There is a ton of information here to read through, all of it very completely researched. If I had one criticism of the book, it would be that the organization of chapters felt, at times, a little arbitrary, but that is a small, small complaint. The book is fully cited from other reputable researchers (including references to Eclipse of the Sun, which makes me chuckle), and I learned an incredible amount about goddesses I had never even heard of before.
Not only that, but this issue of assigning gender to the sun and moon (which in and of itself I feel is a fairly unnecessary practice, but that's a topic for another time) is an important one, because when we as a community get into this practice of automatically pairing the moon with women and the sun with men, we start leaving the door open for stereotyping and misogyny.
Why? Because it's never really just that we pair women and the moon, is it? We pair women with all of the other metaphysical associations we have with the moon, namely passivity and receptivity. Meanwhile, men get paired exclusively with the active, sending energy of the sun. This type of binary thinking isn't beneficial to anyone of any gender, because no person exhibits one sole type of behavior all the time, and to suggest otherwise is ultimately limiting.
Therefore, for that and other reasons, I feel that books like this are really critical for breaking the paradigm in contemporary Paganism, and coming to realize that mythology is complex, and that no one single narrative will ever fit every culture, nor should it, and nor should we try to make up or twist facts to suit a limited world view.
9.5/10, absolutely read through this if you have the chance.
Welcome
Merry Meet, all. Hummingbird, here. 21-year-old eclectic Pagan and witch who works primarily in crystal, warding, and energy magicks. Asexual, with a wonderful girlfriend. I am just beginning to learn the path of Athena. Attending college with end goal of a degree in Interior Design.
This blog is a digitalized record of my life as a Pagan. It includes spells, charms, notes on the properties of various magickal items, and my own personal experiences with my practice. Sometimes I post multiple times a day, sometimes it's once a month.
All are welcome here. Please, make yourself at home, and let me know if I can help you with anything. )0(
Showing posts with label female energy. Show all posts
Showing posts with label female energy. Show all posts
Thursday
September 3rd, 2015
I actually finished this book last night after starting it Tuesday, but by then it was late and I was too tired to do a review.
The book, which I bought last Saturday at Gaia House's Omni Sale, is Florinda Donner's Being-in-Dreaming: An Initiation into the Sorcerer's World (©1992). I knew nothing about it when I purchased it, except that the back described it as being the autobiography of a woman initiated into a Mexican branch of sorcery.
Now that I have read it, I would propose that the book reads in a similar vein as works like Vladimir Nabokov's Speak Memory; it is neither a dry nor an encyclopediac account of Donner's experiences, but rather comes across as an extended memoir, describing her thoughts, feelings, and impressions, not only the facts of what occurred.
Donner describes how a new acquaintance, Delia, encouraged her to go see a Mexican healer about her intense, recurrent nightmares. From there, she met a group of men and women who professed to be sorcerers, and suggested that Donner had the natural talent for "dreaming-awake", a state of heightened awareness that gives the sorcerers their power. Over the course of many years, Donner repeatedly ran across members of the group, including the new nagual (leader), Isidoro Baltazar, with whom she fell in love. Nearer the book's conclusion, she describes how she finally committed to the sorcerer's path for herself, and how she was eventually initiated into the practice and lifestyle.
The book was definitely not what I had anticipated upon picking it up. In some ways, it felt like reading a fantasy novel, especially as the reader understands the context from Donner's outsider perspective. It is definitely not a comprehensive instruction in Mexican sorcery, nor does it particularly describe a way in which the layman could formally enter into such a tradition. That being said, I couldn't put it down. I will also say that because the book is similar to a memoir, certain chapters tend to skip ahead by months or years, which can be a little confusing, as this is not always clearly explained.
Otherwise, the imagery is delightful, the people involved intriguing, and the discussion extremely feminist. The philosophy of dreaming provides a thought-provoking and gripping core concept for the text. It was an absolutely fascinating read, and one which I would gladly recommend to anyone looking to learn about a magic(k)al system not based out of Western Europe.
The book, which I bought last Saturday at Gaia House's Omni Sale, is Florinda Donner's Being-in-Dreaming: An Initiation into the Sorcerer's World (©1992). I knew nothing about it when I purchased it, except that the back described it as being the autobiography of a woman initiated into a Mexican branch of sorcery.
Now that I have read it, I would propose that the book reads in a similar vein as works like Vladimir Nabokov's Speak Memory; it is neither a dry nor an encyclopediac account of Donner's experiences, but rather comes across as an extended memoir, describing her thoughts, feelings, and impressions, not only the facts of what occurred.
Donner describes how a new acquaintance, Delia, encouraged her to go see a Mexican healer about her intense, recurrent nightmares. From there, she met a group of men and women who professed to be sorcerers, and suggested that Donner had the natural talent for "dreaming-awake", a state of heightened awareness that gives the sorcerers their power. Over the course of many years, Donner repeatedly ran across members of the group, including the new nagual (leader), Isidoro Baltazar, with whom she fell in love. Nearer the book's conclusion, she describes how she finally committed to the sorcerer's path for herself, and how she was eventually initiated into the practice and lifestyle.
The book was definitely not what I had anticipated upon picking it up. In some ways, it felt like reading a fantasy novel, especially as the reader understands the context from Donner's outsider perspective. It is definitely not a comprehensive instruction in Mexican sorcery, nor does it particularly describe a way in which the layman could formally enter into such a tradition. That being said, I couldn't put it down. I will also say that because the book is similar to a memoir, certain chapters tend to skip ahead by months or years, which can be a little confusing, as this is not always clearly explained.
Otherwise, the imagery is delightful, the people involved intriguing, and the discussion extremely feminist. The philosophy of dreaming provides a thought-provoking and gripping core concept for the text. It was an absolutely fascinating read, and one which I would gladly recommend to anyone looking to learn about a magic(k)al system not based out of Western Europe.
Labels:
book,
dreams,
female energy,
gaia house,
mexico,
sorcery
Monday
August 24th, 2015
I had my first round of classes today, and on the whole, they went pretty well. I did spend a couple of hours doing homework this afternoon, but it luckily wasn't anything too stressful. I was able yesterday to read my new book from the thrift store, but by the time I finished it, I didn't get the chance to do a review. Hopefully I can bang one out in short order here.
Once again, the title of this was We'Moon '07: Gaia Rhythms for Womyn. The 2007 theme was "On Purpose".
This was a datebook and sort of almanac for the year 2007, but it also contained a lot of general astrological information, poetry, short stories, information on the sabbats, and lots of gorgeous illustrations. Interestingly, the calendar component also followed the lunar calendar, so there was that element of femininity to it.
Parts of this book were really great, and parts I was less interested in. The spelling of "women" as "womyn" threw me off a bit. I do have grapheme > color synesthesia, and any time the spelling of something is altered, it also changes the color of the word, so that was weird. They did it, they explained, to create a word etymologically separate from the word "men"; "women", "female", and etcetera are all obviously derived from words referring to the male gender, which the authors apparently found too patriarchal. I sympathize with the sentiment, but found their solution to read as rather contrived.
Besides that small linguistic criticism, I found it to be very readable, and actually more inclusive than I had been afraid it would be. Obviously the calendar was eight years out of date, but if this sounds like the sort of thing you'd want to look into, they are offering a 2016 datebook on their website here.
The message of this book, On Purpose, was really about intention, and using one's energies to focus on the future. A lot of the works asked, what can I, as a person, do to make the world a better place for future generations, and I think that's a message which still bears relevance eight years later. Much of the discussion was about the environment and climate change, but social justice was also a prevalent theme.
There was a poem about being gender-nonconforming, some art and a story by disabled women, works which crossed racial lines... In general, it struck me as being one of the more intersectional books I've come across.
I'd originally bought the book thinking maybe I'd cut out the artwork and do a collage or something, but now that I've read it... Yeah, I think that's just going to stay intact on my bookshelf.
A few other things from today...
Once again, the title of this was We'Moon '07: Gaia Rhythms for Womyn. The 2007 theme was "On Purpose".
This was a datebook and sort of almanac for the year 2007, but it also contained a lot of general astrological information, poetry, short stories, information on the sabbats, and lots of gorgeous illustrations. Interestingly, the calendar component also followed the lunar calendar, so there was that element of femininity to it.
Parts of this book were really great, and parts I was less interested in. The spelling of "women" as "womyn" threw me off a bit. I do have grapheme > color synesthesia, and any time the spelling of something is altered, it also changes the color of the word, so that was weird. They did it, they explained, to create a word etymologically separate from the word "men"; "women", "female", and etcetera are all obviously derived from words referring to the male gender, which the authors apparently found too patriarchal. I sympathize with the sentiment, but found their solution to read as rather contrived.
Besides that small linguistic criticism, I found it to be very readable, and actually more inclusive than I had been afraid it would be. Obviously the calendar was eight years out of date, but if this sounds like the sort of thing you'd want to look into, they are offering a 2016 datebook on their website here.
The message of this book, On Purpose, was really about intention, and using one's energies to focus on the future. A lot of the works asked, what can I, as a person, do to make the world a better place for future generations, and I think that's a message which still bears relevance eight years later. Much of the discussion was about the environment and climate change, but social justice was also a prevalent theme.
There was a poem about being gender-nonconforming, some art and a story by disabled women, works which crossed racial lines... In general, it struck me as being one of the more intersectional books I've come across.
I'd originally bought the book thinking maybe I'd cut out the artwork and do a collage or something, but now that I've read it... Yeah, I think that's just going to stay intact on my bookshelf.
A few other things from today...
That's my "back to school" picture outside the design building.
And then, I was able to pick some sage today!
I only got a couple of leaves, but remember that spiral garden I helped build last spring? Sage and kale were about the only things that grew, and there's a lot of them! I'll probably harvest more gradually, but I need to clean out another jar first.
Labels:
accessibility,
art,
astrology,
book,
calendar,
disability,
eco-friendly,
environment,
female energy,
garden,
goddess,
lgbtqa+,
moon,
neurodivergence,
poem,
sage,
school,
shopping,
spiral,
transgender
Saturday
Chrysocolla
Chrysocolla
Physical Characteristics: Because of its blue color, this stone may be confused with turquoise.
In Nature: Chrysocolla forms in the oxidation zones of Copper ore and is usually found in masses, not individual crystals. It may also be found as vein fillings.
Chemical Composition: (Cu, Al)2H2Si2O5(OH)4·nH2O
Mohs Scale Hardness: 2 (low)
Can be Found: Worldwide, but especially the USA and Australia
Healing Properties*: The stone raises the metabolism and may assist those seeking to achieve a healthy weight. It provides relief from ulcers and arthritis. Chrysocolla also alleviates cramps, infections of the throat, liver toxicity, and high blood pressure.
Magickal Properties: Chrysocolla is generally associated with peace and tranquility, as well as intuition, patience, and unconditional love. It is a powerful stone of life-force energy and feminine empowerment. Chrysocolla releases feelings of guilt, fear, and tension, building one's inner strength. It releases resentment and helps admit forgiveness. It is extremely helpful to releasing anger and pain related to all forms of abuse. The stone promotes promotes level headedness and clarity of thought. Chrysocolla enhances creativity, female energy, and communication. Lay it on the Third Eye to enhance spirituality. The stone bridges the earth and sky as well as the physical and astral realms.
Chakra Association: Fourth (Heart) chakra, though it lightens the aura and removes blockages from all seven.
Element: Water
Energy: Receptive
Planetary Association: Venus
*Magickal healing should never take the place of seeing a doctor and following any recommended prescriptions, actions, or other advice. Magick works best in tandem with physical efforts, anyway, so don't skimp on those check-ups!
Labels:
aura,
chakra,
chrysocolla,
copper,
creation,
energy,
female energy,
gems,
healing,
health,
intuition,
stones,
turquoise,
venus,
water
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