Book Review: Feng Shui

Title: Feng Shui: Harmony by Design

Author: Nancy SantoPietro

©1996

It's funny - this will be the third time now that I've written up a report on this book. For my Architecture History class, we were asked to make a poster and presentation about a book, and since I was already in the midst of reading this one, I decided to do my project on it. It's actually giving me a really interesting opportunity, as for the presentation component, part of my project will include talking about ways in which I have used feng shui principles in the design of my room at home. However, I wanted to do a post about it specifically for this blog, seeing as my readership here is likely more metaphysically-inclined than my classroom peers.

The short version: this is a great book. 

The long version: Nancy SantoPietro is one of only a few women in the US trained and authorized to practice feng shui professionally. Her book is forwarded by Professor Lin Yun, the founder of the Black Sect of Tantric Buddhism, and under whom she studied. Known internationally for her work, and former Chairperson of the first feng shui studies department in the country, SantoPietro is one of the foremost western experts and practitioners.

Yun's forward begins by describing a little of his sect of Buddhism, how it intersects with feng shui, and his experiences working with SantoPietro. This transitions into SantoPietro's introduction, which summarizes some of feng shui's history and its place in the modern world.

The first chapter covers the basics: fundamental principles and theories, how to quickly and easily sketch a floor plan of a building, and how to apply the bagua chart to that drawing. She also describes how to begin analyzing the relationship between floor plan and chart.

Chapter two starts getting into intentions, and how to narrow down one's focus in what changes to make. It also summarizes general categories of the kinds of things to look out for and consider altering.

Chapter three takes the reader through the nitty-gritty of designing the bedroom, bathroom, and kitchen, some of the most important spaces in the home. SantoPietro explains the impact that each of these has on one's life, and where design decisions can have a significant impact on one's health, wealth, and relationships.

The fourth chapter takes the reader through other spaces (the home office, dining room, living room, etc.) and offers low-cost but high-impact solutions for the problems that can occur there. These principles are really ones which can be applied in any space to produce significant results.

Chapter five covers the role of color, and six describes specific obstacles one might be facing, and where to look in one's home for design issues that could be compounding those obstacles. It also covers transcendental cures, which are in essence rituals written in a feng shui-specific context, but which incorporate elements like mantras, meditations, sympathetic magick, and other elements which western Pagans are likely already somewhat familiar with. 

The seventh chapter deals with sacred space - what it is, why we need it, and how to go about designating a truly sacred space in the home. SantoPietro goes into detail about altars, both religious and secular, and provides lists of correspondences for crystals and essential oils. 

Finally, the eighth chapter gives real examples of situations which SantoPietro's clients have faced, how SantoPietro advised them to adjust their living spaces, and the end results. This was less of an anecdotal advertisement for her work, and more of a step-by-step example about what it actually can look like to analyze a living space and change it, and thereby also change one's life. Her example stories cover a wide variety of living situations and types of people, so chances are good that there are relatable elements one can pick up on.

I will be up-front: I do not agree 100% with every single piece of advice in SantoPietro's book. There are things as an individual and as a designer-to-be which I would do differently. However, with that being said, this is an excellent manual on feng shui; it is extremely comprehensive while still being easy to follow, and there are lots of diagrams to visually illustrate the types of changes the author refers to. In general, she does a very good job of explaining the thought behind a feng shui principle, rather than just providing rules with no context, and it is clear that she is very well-versed in her practice. 

Whether you are just getting into feng shui or are already familiar with the subject, this text is a great resource. If you have any interest in using feng shui at all, definitely consider giving this book a look.

April 24th, 2016

Had a busy but good day today, part of which involved heading over to the Gaia House for a few hours, to enjoy a reception for the artists who have work in the Pagan art exhibit which has been on display there this month. We enjoyed coffee, lemonade, and an assortment of little snacks, and generally were able just to hang out and chat.

My painting, with description, that I've had hanging up.

A collection of paintings, all by one lovely individual.

A series of nature photography, all by another artist.

Triple Goddess painting by one of our more Norse-inclined practitioners.

These two photos, by SIPA director Tara, have a rather interesting story. They were taken on vacation while visiting a haunted potter's field of unnamed soldiers. Apparently, just after these were taken (on actual film, not digitally), it started to storm, so obviously there was not enough sunlight to cause lens flare (the white patches on the photos are just glare on the glossy paper; the orange is actually present). Also, these were the only two photos on the whole strip of film with these strange colors, so it couldn't have been water damage. As such, Tara's thought is that she caught some spirits on camera. The one in the top photo actually even looks humanoid.

Me with my painting.

Hand-made grimoire.

Set of runes.

And just for good measure, this is the spiral garden I helped build last spring. As you can see, the plants are pretty well-established now. The sage and kale really took over, so that's pretty much what's growing at this point.

Native Plant Giveaway

In other news, I had an exciting opportunity today to get some plants. A group on campus was giving away cuttings and seedlings of native species to help support pollinator populations, and I picked a few up!

On the left are two Purple Coneflower (Echinacea pallida) seedlings, which produce flowers that bees love. They also have a long history of medicinal uses, which can be traced back to First Nations people from this part of the country. On the right is a little prickly pear, which apparently is another native species - I had no idea we had cacti here, but apparently this is part of their range! When I go back home, the Coneflower will go in the garden. The cactus will probably go in a pot, because I'm fairly sure our winters will be too cold for it. Hopefully I can keep them alive for the last three weeks of the semester until I can transfer them out of their little plastic containers.

Also excitingly, my plant biology professor brought in some fossil specimens she and her students had collected at an old coal mine yesterday. These came from the carboniferous forests which were part of this landscape 300 million years ago, and some of them are so well-preserved as to actually still have plant tissue in them. Apparently, they had collected so many fossils that my professor let us keep some of her examples if we wanted. The large fossil in the bottom image has now been added to my collection. I really want to go rock-hunting around here sometime!

April 22nd, 2016

The school year is finally winding down, but it seems I have as much to do as ever. This month has been particularly action-packed, as we finally got into the build phase of the project we began back in February. It took us four and a half days spread over a couple of weeks, but we finished it, and it looks great. It'll be a really functional piece of work for the environmental center's programs

When we first arrived for our last build day on Tuesday, we found this dragonfly nymph exoskeleton on the trim of our deck. In the words of our professor, our project has already started breeding life. Personally, I took it as a good omen, and things continued to go well as we finished things up.

Here we are adding some finishing touches...

Our final product; we built a deck, two tables, and a net rack for a macro-invertebrate dipping station. Originally, there was also meant to be a kiosk for signage, but as we discovered, there are a lot of subterranean rocks on our site, which meant that that piece could not be built at this time. However, the center has our drafted plans and materials, so if they later on feel like relocating that component to a different area and building it, they can do so.

Our deck, from a different angle.

We saw this lovely (and large!) snake on Tuesday, plus a water snake I couldn't get a picture of.

Later that day, I found this little guy sitting on a campus sidewalk - they were only an inch or two across!